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ok, so, I have a confession to make.
it turns out that a lot of people have been confused about this video that’s been circulating around the internet lately.
a blogger called Jaalin confessed his confusion. He links to other people.
But the thing is.
I am Jason Mraz. [here's my entire life story condensed into a single image, since it's basically worth over nine thousand words]
I have a huge fetish for K-ON. I even tried to write down a lot of the music. Well, the music kind of sucked, but it has a lot of moe, so you can see why I like it.
I wanted to incorporate the sounds of K-ON in my new single to try and bring out a new evolution in western indie music! That would be a lot of fun, right? While the music in K-ON sucks, my music is good, so it balances out. Not only that, but the strange asian music that thinks that it is western brings an exotic blend to my music. I wish to share to all of you otakus my new music that blends east and west, better and less better, my music, and K-ON’s music.
33 commentsre: ghostlightning (in other words, notes on Dobashi)
Future otou-san ghost had much to say about the paucity of testosterone in our much loved Hatsukoi Limited.
9 comments
Powerchord, East Wind, (屮゜Д゜)屮♫
Is it because Saki gets right into the whole Mahjong affair while K-On lingers until the very end of the episode? I’m not quite sure what it is specifically, but it’s probably a combination of the above and the fact that I find the Mahjong fair presented to me in Saki’s opener fair more sophisticated and to my tastes…then K-Ons light music which barely got approached in the first episode.
Yes, that’s very true. K-ON tried all too hastily to give us a full-blown exposition in the space of an episode. You can lay out a relative, reapplicable sequence of events:
30 comments
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